[You don't want to know, Ed. You really don't.]

At least. I can't imagine many other worlds have anything like the Sea of Death. It'd be rather sad if they did.

I don't know enough about the other two to give proper information, so I'll refrain from that and only tell you about the third.

[ ... ]

It's name is 'Sol Cluster', also known as the Tower of Harvestasha, or even the Tower of Tyria. It has a high level of technological advancements compared to this world, and focuses mostly on sound-related technology.

[... Now that she thinks about it, she could ... really go on about this Tower for quite a while. She's not sure if she wants to talk THAT much, so she decides to make it easier on herself.]

By the way, is there anything specific I should mention or elaborate on, or should I only describe it's layout?

Ah. That makes it easier.

[Time to be pro-levels of lazy!]

All anyone really has to know is that my world has beings known as Reyvateils living in it. As far as I know, it is the only world Reyvateils exist in. The Sea of Death I had mentioned earlier, along with the Blast Line, are also notable enough that others should be able to recognize it as being from my world specifically.

The simplest way to put it would be that Reyvateils are beings who can convert the songs they sing, and the feelings within them, into power. These songs can be used to preform magic, or control certain types of machinery.

They also come in three different types: Reyvateil Origins, which are entirely man-made and very rare, pure-blooded betas, which are created from the Origins and could also be considered "man-made", and 3rd generations, which are born from a human father and reyvateil mother. Betas and 3rd generations are the most common, if only because just three Origins exist in total.

The betas and 3rd generations are capable of doing so, but the Origins are not. [ ... ] Except for one, who was specially made to be able to.

... Yes.

[... And she respects Kurogane so much but ... that kind of makes her a tad (unsure) as well.]

I'm certain there was a reason for it, but I was never told what it might be.

[Almost immediately after Ed finishes that sentence, Tyria starts raising her voice at him, her otherwise monotone speech showing some decently strong emotion in it.]

Kurogane would never do messed up things! Everything he did was for a reason, no matter what it was!

Yes. He was a brilliant man who only had the best intentions in mind for me. ['Even when he ...'] He must have made me the way he did in order to give me a chance at happiness, not for any creepy reasons.

[There's a small pause where Tyria realizes she was blurting out rather personal things in her Kurogane-related defensiveness. It's also during that pause that she realizes she doesn't really care too much.]

That's correct. Ding! You've made it to the next round. However, for insulting Kurogane, you've been sent back to square one. Poor you.

... I don't know. It could be for any reason. I can only guess.

[Never mind how adamant she was about it being for her happiness before.]

... You're asking a very complex question. I'm very different from even the other Reyvateil Origins, so the answer I could give you would be worlds different from an answer from any other.

Fine then.

[ ... ]

It can be very alienating. The people of my Tower look at me as a goddess, not a man-made being. Being able to communicate with the planet is quite exhilarating, however. The same goes for the power I am able to draw from that ability. Song magic itself has always been a pleasure to use.

Also, being 700 years behind the times is awkward. There are too many things that have changed in that time, and the generation gap is rather extreme. For example, the food everyone eats now has also changed far too much. No one eats regular udon anymore - the broth is either too thin or too thick. The funbuns are all knock-offs, and the fried bread hasn't been quite the same either. [ ... ] I want fried bread ...